NED LOTT
Ned Lott has a wide range of producing, voice directing and casting experience for animation. He was a Producer, Voice Director, and Casting Director with the Walt Disney Studios on seven Studio Ghibli titles, including Hayao Miyazaki’s OscarTM nominated theatrical release “Howl’s Moving Castle” starring Christian Bale. Other notable accomplishments include casting Liam Neeson as the voice of “Aslan” for “The Chronicles of Narnia: The Lion, the Witch and the Wardrobe”. Ned also co-Produced and cast the English version of the OscarTM nominated Animated Feature “Ernest & Celestine” starring Forest Whitaker and Paul Giamatti. Ned spent years at Disney Character Voices, voice-directing and casting projects for “Cars”, “Monsters Inc.”, “The Incredibles”, “Kingdom Hearts I & II” “Pirates of the Caribbean”, and many other Disney/Pixar projects. Musically, he cast the Simba and Zazu singers for the re-release of “The Lion King” for the added song The Morning Report, along with directing vocal sessions with Jodi Benson as Ariel for “Little Mermaid” projects and cast country singer Kacey Musgraves for a Studio Ghibli role.
For Warner Bros., Ned voice-directed “Lord of the Rings” projects and “The Lego Movie Video Game” with Morgan Freeman, Chris Pratt, Elizabeth Banks, and Will Ferrell, and for television animated series work, Ned voice-directed multiple episodes for the Netflix musical series “Motown Magic”, and the African animated Anthology for Disney+, “Kizazi Moto”. Internationally, Ned has voice-directed and cast animated features out of South Africa, Peru, Spain, Russia, France, and China including dubbing the highest grossing Animated Feature ever created in China, “Monkey King: Hero is Back” starring Jackie Chan. He is currently in production on several animated features including “David” and its worldwide cast, along with Season 3 of the streaming series “The Wingfeather Saga”.
LISTENING
You are welcome to listen to your own recording as well as everyone else’s recordings. They are all available to download to members of the VOWW. Hearing your peers do what THEY do is always a great opportunity to learn.
A piece of copy in any genre can be read 1,000’s of ways. In the real world you are auditioning against 100’s of other actors never knowing really what you are up against. The VOWW is an incredible behind the scenes look into what other actors are doing with the same piece of copy. How other home studio’s sound compared to yours. What feedback would look like depending on how any performance is delivered. It can be eye opening, well EAR opening in many ways for the participants who take the time to delve into all the reads and feedback and not just their own.