LIZ LEWIS
Liz Lewis Casting
With offices in New York, Austin, and Los Angeles, Liz Lewis Casting Partners (LLCP) has been a leading name in casting for over thirty years. Those years bring not only extensive industry knowledge but also strong relationships with agents and managers, as well as a large, diverse team that works collaboratively while maintaining a personal and boutique feel.
Liz Lewis has most recently cast the feature film Waltzing with Brando (starring Tia Carrere, Billy Zane, and Richard Dreyfuss), the mystery-drama Who Is Christmas Eve?, the thriller Lady of the Lake, and a variety of other titles including The Last Memo, Imaginary Friends, The Suit, Super Kitties, Dee & Friends in Oz, Queen of Knives, and several Hallmark Channel projects.
Liz also cast the original seven seasons of The Daily Show, discovering some of the biggest names in comedy, and finding the original voices for the Emmy-nominated Nickelodeon series Peter Rabbit. Liz has received multiple honors, including winning a Heller Awards in 2015 and 2019, receiving a CSA Artios Award nomination for Outstanding Achievement in Casting for Stormy Weather (the Lena Horne musical), and a Slamdance Audience Award for Best Narrative Film for The Project. She also cast the voices for the Oscar-nominated documentary Sound and the Fury.
Additional credits include Get Rolling With Otis, Love on Iceland, Royal Holiday, Love Sick Love, and My Life as a Lifetime Movie. LLCP currently has over a dozen features and television projects in development, with budgets ranging from low budget to $30 million.
Liz is a member of the Casting Society of America (CSA), the British Academy of Film and Television Arts (BAFTA), the Association of Independent Commercial Producers (AICP), and the Women Presidents Organization (WPO).
FEEDBACK
General Note For Everyone:
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LISTENING TO YOUR PEERS
You are welcome to listen to your own recording as well as everyone else’s recordings. They are all available to download to members of the VOWW. Hearing your peers do what THEY do is always a great opportunity to learn.
A piece of copy in any genre can be read 1,000’s of ways. In the real world you are auditioning against 100’s of other actors never knowing really what you are up against. The VOWW is an incredible behind the scenes look into what other actors are doing with the same piece of copy. How other home studio’s sound compared to yours. What feedback would look like depending on how any performance is delivered. It can be eye opening, well EAR opening in many ways for the participants who take the time to delve into all the reads and feedback and not just their own.