HUGH P. KLITZKE

HUGH P. KLITZKE

Hugh is a voiceover coach, director and demo producer in New York City.

He teaches the conversational read, self-direction, the commercial read, directs auditions and produces demos (amongst other things) for professional voiceover talent. 

For nearly fifteen years Hugh was the Voiceover Studio Manager at Buchwald, New York directing booking auditions for every kind of voiceover. 

To date, Hugh has directed over 125,000 auditions and counting. 

In 2023, Hugh was nominated for Best Female Commercial Demo Producer at OneVoice, spoke at WOVO, critiqued at NEVO, taught several workshops for the SAG /AFTRA Foundation and will present at VO Atlanta in 2024. 

While teaching classes, private coaching and lecturing, Hugh is writing two books, developing an online course on the conversational read and runs VOnow.CO with Debbie Irwin. 

Hugh has also been the head of sound for Penn and Teller, an Equity Stage Manager, a producer at the Galapagos Art Space in Brooklyn (now Detroit), an award winning composer and lyricist for theater, film and digital media, a music theory lecturer at SUNY Purchase, assistant to a Baroque trumpet scholar, a certified K-12 music teacher and two time marathon finisher.  

Find Hugh online at ConversationalVO.com

FEEDBACK

GENERAL NOTES

The Guest gave verbal feedback.
The playlist below contains feedback and the listening section contains all the participant’s auditions.

LISTENING

You are welcome to listen to your own recording as well as everyone else’s recordings. They are all available to download to members of the VOWW. Hearing your peers do what THEY do is always a great opportunity to learn.

A piece of copy in any genre can be read 1,000’s of ways. In the real world you are auditioning against 100’s of other actors never knowing really what you are up against. The VOWW is an incredible behind the scenes look into what other actors are doing with the same piece of copy. How other home studio’s sound compared to yours. What feedback would look like depending on how any performance is delivered.  It can be eye opening, well EAR opening in many ways for the participants who take the time to delve into all the reads and feedback and not just their own.